Simon pegg cop movie movie#
The film is an entertaining romp through contemporary action films and fills a void in the spring movie season.
However, “Hot Fuzz” does not so much make fun of those films as it does pay homage to them. This is what “Hot Fuzz” parodies, those films that are a staple of American cinema. There is always a big action sequence and heavy amounts of gun play, which includes gruesome shots, car chases and the heroes flying through the air firing two weapons at once.
Simon pegg cop movie professional#
There is always the professional cop and the bumbling, border-line cop. Due to the fact that they have left such an indelible mark on the film industry, they have become standardized and clich. Films such as “Lethal Weapon,” “Bad Boyz,” and “Point Break” have become the standard for the buddy cop/action genre. There's a deeper connection to the films that I think is really easy to trace when you watch them together.The big summer blockbuster has become a staple of American cinema and so has the buddy cop movie. We were dealing with protracted adolescence again, we were looking at the notion of loss of identity, the struggle of the individual against the collective. When we made Hot Fuzz, and we realized we could make a thematic sequel to Shaun of the Dead, not a direct one, but one that kind of displayed similar approaches, addressed similar themes. We didn't know if we'd ever get to make another film again, so it was just about that. Pegg: "At the time of Shaun of the Dead we just wanted to get that film made. I think shows like The Walking Dead and Shaun of the Dead, and anything, really post-George, owes him a huge debt of gratitude." He combined old voodoo stories and this cannibal fad there was in the late '60s, and he created this cannibalistic modern zombie, which is all his idea. The whole modern zombie was basically George's doing. And have this strange side story happening in the Romero universe, the great zombie films that George Romero created, and he created that whole mythology as well. Pegg: "We wanted to make a Rosencrantz and Guildenstern Are Dead of the zombie world. On Shaun of the Dead and their place in zombie film history
Pegg: "I always say, looks fade but funny is forever. A lot of films want to get an American distribution deal will put stuff in specifically to try and secure that, and ends up just feeling fake."Īuthor Interviews 'Nerd Do Well': Simon Pegg On 'Becoming A Big Kid' I think Shaun of the Dead proved to us that we could be resolutely British and it would still work. Pegg: "We don't want to be trans-Atlantic with our movies, in terms of, we don't assume the American audience have to be talked down to in any way, or soft-soaped or given some kind of chocolate-box version of what they're seeing. On not talking down to American audiences It was important to us to set our films in the real England, in the real places where we grew up, the suburbs of London, not London itself." you'll hear a little bit of 'Rule, Britannia!' and you'll see a red bus go by, and Big Ben will strike, and it will be snowing and someone will step off the Millennium Wheel, the London Eye. Usually in a movie when you cut to the U.K.
Pegg: "We've always been very keen to not set our films in picture-postcard England. It was important to us to set our films in the real England, in the real places where we grew up, the suburbs of London, not London itself. We've always been very keen to not set our films in picture-postcard England. Those films were both directed by their friend Edgar Wright, who also made the visually innovative Scott Pilgrim vs. In 2004, Pegg and Frost's zombie send-up Shaun of the Dead gave the English comedy pair a cult following that grew with their follow-up movie, Hot Fuzz, about a gung-ho London cop who's transferred to a sleepy English village. But as they travel from pub to pub in their old hometown, they find strange, supernatural things start to happen. The film follows five old high school friends who reunite to finish a pub crawl they started 20 years earlier. If you've ever participated in a miserably long pub crawl, you'll understand the plight of the characters in The World's End, the latest from Simon Pegg, Nick Frost and Edgar Wright. Martin Freeman (from left), Paddy Considine, Simon Pegg, Nick Frost and Eddie Marsan star as five old high school friends who reunite to finish an epic pub crawl in The World's End, directed by Edgar Wright.
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